SHORT BIOGRAPHY

Thea Amalie Käszner (b.1991) is a MFA graduate of the Hochschule für Bildende Künste Hamburg, HFBK and School of the Museum of Fine Arts at Tufts University, SMFA, Boston. In 2022/23 she was part of a Post-grad program, the Anne Marie Carl-Nielsen Programme for Art in Public Space, at the Funen Art Academy. She is currently studying German language and culture at University of Copenhagen.

Käszner transfers standardizations, structures and the mundane to graphic drawings and in accumulative works of paper, woven textiles and graphic sculptures. In an overwhelming world, Käszner searches for a utopian order.

Collected by The National Gallery of Denmark, SMK, The W. Van Alan Clark, Jr. Library at SMFA and Odense Kunstråd.


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SHORT BIOGRAPHY

Thea Amalie Käszner (b.1991) is a MFA graduate of the Hochschule für Bildende Künste Hamburg, HFBK and School of the Museum of Fine Arts at Tufts University, SMFA, Boston. In 2022/23 she was part of a Post-grad program, the Anne Marie Carl-Nielsen Programme for Art in Public Space, at the Funen Art Academy. She is currently studying German language and culture at University of Copenhagen.

Käszner transfers standardizations, structures and the mundane to graphic drawings and in accumulative works of paper, woven textiles and graphic sculptures. In an overwhelming world, Käszner searches for a utopian order.

Collected by The National Gallery of Denmark, SMK, The W. Van Alan Clark, Jr. Library at SMFA and Odense Kunstråd.

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Memories We Never Had

Âme Nue Hamburg, DE
Duo Exhibition with Lulu MacDonald

I don't know, I'm just trying to build a fun world – That's what model trains are all about – Imagination.

No they are about accuracy, people want to see the world around them, exactly as it is, but smaller.

Ok, well we could have part of the model very accurate and part of it very creative...I'm ok with that.

Yes, yes as am I.

Sergeant Terry Jeffords and Captain Ray Holt, Brooklyn 99

Memories We Never Had is an exhibition and collaboration existing between exaggerating languages, magnified memories and half-remembered associations. Thea A. Käszner and Lulu MacDonald focus on the pictorial implications of images. Both artists share an interest in how an image can become an object and how an object can become image. Working with ideas of translation, not only literally, as both live and create work outside of their mother tongue, but also because their works are fundamentally seen as being a language which is   constantly being built. The works in the show are intimate translations, amplifications and zooms into crucial moments of Käszner's and MacDonald's creative practice. By combining the theatrical and the banal moments they begin to stream a consciousness with a potential to experience imagination. The spaces between a word, a thought and a memory are used to create realms which can be shared and presented. Language and its generosity become metaphors, locus' and vessel's for the creative process and there potentials as friendships and gestures of understanding.
2019